Zbudowałem sam giloszarkę liniową :

 

 

Moje pierwsze prace na mosiądzu. Teraz chcę je emaliować.

 

 

 

 

cdn. :-)

 

Pozdrawiam

This post was edited by Leszek Kralka at March 4, 2016 4:59 PM EST

Hallo Lescek,

Jack wszystkich branż. Very big admiration and congratulation!!

Edmund

Welcome Edmund.
How are you feeling ??? I'm glad you wrote in the forum.
Thanks to you I learned to glaze. Thank you, my dear master and mentor.

Now I want to do on silver and enamel guilloche patterns.

My dream is the face of the watch.

 

 

Machines build himself a workshop and learn from You tube videos.

 

 

To pierwsze projekty (LK)

 

 

 

Edmund now I will put enamel :-)

Best wishes and good health.

cdn....

Leszek :-)

 

 

This post was edited by Leszek Kralka at March 4, 2016 5:00 PM EST

Hi Leszek, thank you, I'm well. I hope you too. I wish you very good success for your forthcoming work. I admire you, that you could construct such a complicated machine,.and that you could build it by yourself.

I could imagine, that some enamellers are interested, that you make some blanks formed objects for them, that they can enameling by them self.

Edmund

Hello Edmund.

I am healthy :-) Thank you. Here in Poland today, 12 degrees :-) spring.

Machines built a straight line in 2014-2015.
Ornamental lathe remade with Boley lathes.
Still a lot of work on the machines.
In the United States, Germany and France are such machines but cost about 10,000 - 30,000 USD.

 

 

 

Now I engraved on brass and alpaca. Next week the first works in silver.

 

 

 

 

 

Edmund is modeled guilloche enamel sift or applied to the wet?
Are silver 999 with a guilloche pattern applied flux?

Greetings.
I wish you health.

Leszek

Ps. Edmund beautiful pictures have listed on Pinterest :-)

Congratulations Leszek for this machine! I am trying to produce similar patterns by hand because I don't have such a machine. In my last Octagonal Clock I tried to engrave a geometrical pattern on brass which I gold plated finally. 

I think the sifted flux is more even than the wet applied flux. For the cold colors ( Green-Blue etc.) i would not use flux on 999 silver. However, if you use warm colors ( red-yellow-brown etc.) I would use first flux.

I wish you good success with the machine!

Hi Leszek,
I go conform with Gabor. For work without Cloisonné-wires sieving is better than the wet inlay. Likewise compliant I go by sieving cold colors directly to fine silver. With warm colors, a first layer of silver-flux is almost essential.

Dear Gabor, have looked at your Octagon Watch again. Me was not at all aware that the brass plate was hand engraved. My admiration for this precision work.
By Leszek work I admire, besides the fact that he does so perfect cloisonné work in a very short time that he was able to build such a complex machine by itself. Alone the necessary guiding templates for the about engraved patterns are already a challenge!

Edmund

Dear Edmund,

Thank you so much for your kind words about the Octagonal Clock's brass plate! Since I don't have Leszek's machine I am forced to work manually if I want to create engraved patterns. In fact I am working now on two such clocks using the same engraving technique on brass because I find it very decorative and so the effort is worth while.

Kind regards

Gabor 

[blockquote]Gabor Forgo said:

Congratulations Leszek for this machine! I am trying to produce similar patterns by hand because I don't have such a machine. In my last Octagonal Clock I tried to engrave a geometrical pattern on brass which I gold plated finally. 

I think the sifted flux is more even than the wet applied flux. For the cold colors ( Green-Blue etc.) i would not use flux on 999 silver. However, if you use warm colors ( red-yellow-brown etc.) I would use first flux.

I wish you good success with the machine!

[/blockquote]

 

Thank Gabor.

You can watch a picture to show?

Thank you for advice on how to put the enamel

 

[blockquote]Edmund Massow said:

Hi Leszek,
I go conform with Gabor. For work without Cloisonné-wires sieving is better than the wet inlay. Likewise compliant I go by sieving cold colors directly to fine silver. With warm colors, a first layer of silver-flux is almost essential.

Dear Gabor, have looked at your Octagon Watch again. Me was not at all aware that the brass plate was hand engraved. My admiration for this precision work.
By Leszek work I admire, besides the fact that he does so perfect cloisonné work in a very short time that he was able to build such a complex machine by itself. Alone the necessary guiding templates for the about engraved patterns are already a challenge!

Edmund

[/blockquote]

 

Edmund Thank you for the good advice. :-)

Always I listen to your advice because I can do enamel.
Thank you for teaching.

I built the machine in order to watch dial.

Regards.

Nowe tarcze :-)))

 

 

 

Pozdrawiam :-)

 

 

Thank you Trish. :-)

I like them to work and make new designs.

Regards

Moje pierwsze polozenie emalii na gilloschu.

 

 

 

 

 

 

 

 

Baza to srebro 999 o srednicy 36 mm. Emalia Schauer.

cdn..

Pozdrawiam

Ciąg dalszy nakładanie indeksów :

 

 

 

Pozdrawiam Leszek

 

 

 

Dzisiaj test czy mozna robić cloisonne na guilloche;

 

 

Uwielbiam emalię :-)  po 20 wypale w piecu jest jeszcze ładniejsza :-)

 

cdn....

Nowa tarcza 36 mm. Będzie emaliowana na niebiesko.

 

 

 

pozdrawiam Leszek

I z wzorem Breguetowskim.

 

 

 

 

Pozdrawiam

Nastepne dyski :-)

 

 

 

Pozdrawiam Leszek