Recent Entries

  • Ewa Buksa

    What a wonderful post by Ewa Buksa. Thank you very much Edmund
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  • Article in Glass on Metal, by Gabor Forgo

    Dear Gabor,thank you very much for the beautiful description of the clock-making process and your Sgraffito technique in Glass on Metal, Vol 33, No. 2. The two descriptions are really good understandable also because of the lot of color pictures.Thank you very muchEdmund
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  • Enamel samples

    For my silver jewelry i prefer this procedure. It is easy and quick.
  • Screen printing

    I'll try to upload the PDF version here. If it is unreadable, please send me your e-mail address. I sent it to you then e-mail.kind regardsEdmund Very%20New%20Gig%20L_Res%202012..pdf
  • Screen printing

    I got this E-Mail. If anyone is interested, I can upload also the leaflet. Dear Edmund, I have worked at the University of the West of England for many years and specialise in water-based screen printing, ceramic decal printing and related chemistry. I also organise and run many workshops and summ...
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  • Invitation Enamel Exhibition France

    'm not sure whether the reference was to the French e exhibition already published here on the forum. Here, the contact address:   biennale.emaux.2011 @ orange.fr   Edmund
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  • Invitation to take part in an exhibition in Lithunia

      Hallo,http://www.menonisa.lt/en/site/specialhere you will find an invitation to take part in the enamel exhibition in Vilnius, Lithuania in November 2011.     You can also look via Internet into two catalogs of past shows. The enamels are so different from the work shown here in the "Grains of Gl...
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  • French enamellin forum

    The French enamel-artist Jacques Clout has at this address: http://www.lezardufeu.com/index.htm opened an Enamel Forum.  Unfortunately only in French. But if necessary you can let translate the page on GoogleEdmund
  • Sturdy stand for a mortar for grinding enamel lumps.

    Sturdy stand for a mortar. As an apprentice in my training as analytical chemist I had pounds of thick coal chunks crush to fine flour. It was very difficult, because the mortar slips to and fro on the stone tiles of the lab table. The technican of the laboratory came up with the idea...
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  • My studio

    Because I'm nearly 80 years old, I have sold the most of my big workshop and have now a small workspace at first floor of my home. In the cellar, I have, after as before a workroom with an enamel-grinding-machine, coarse and dirty work and a big kiln. Thus I have to reorganize my enamel and goldsmit...
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